137 bars at 175 BPM -- fast, and 3:19 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, toms through bars 8-14, snare through bars 15-16, hi-hat through bars 17-28, snare through bars 29-40 and hi-hat through bars 41-50, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 16-17, 19-21 and 23, and 13 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
83
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-x---x-x-x---x-|14 fills to learn, played 23 times: bars 8, 9, 10, 11, 12, 24 and 17 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
137 bars, about 3:19 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 23 times: bars 8, 9, 10, 11, 12, 24 and 17 more.