92 bars of 6/4 -- not four -- at 105 BPM, 5:15 of playing on crash, ride, hi-hat, snare and kick.
25 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, hi-hat through bars 8-9, silence through bars 10-11, hi-hat through bars 12-22, silence through bars 23-27 and hi-hat through bars 28-29, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 8-9, 12-21 and 34-35, and 2 more places -- 52.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
12
1e+a2e+a3e+a4e+a5e+a6e+a
HH |x-x-x-x-x-x-x-x-x-x-x-x-|
SD |------x-----------x-----|
BD |x---------x-x---------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
25 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
92 bars, about 5:15 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 27 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.