77 bars, 3:57, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom and kick and nothing else.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-5, hi-hat through bars 6-11, snare through bars 12-22, hi-hat through bars 23-26, ride through bars 27-31 and snare through bars 32-39, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 12-14, 16-18 and 32-34, and 7 more places -- 41.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
13
1.......2.......3.......4.......
CC |x---x---x---x---x---x---x---x---|
SD |----x-------x-------x-------x---|
BD |x-x-----x-x-----x-x-----x-x-----|4 fills to learn, played 7 times: bars 15, 26, 35, 39, 52, 64 and 1 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
77 bars, about 3:57 at the written tempo. The course breaks it into 24 exercises over 10 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 15, 26, 35, 39, 52, 64 and 1 more.