76 bars of 4/4 at a walking 92 BPM, 3:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bar 1, ride through bars 2-51, hi-hat through bars 52-59, ride through bars 60-73 and hi-hat through bars 74-76.
The beat the song is built on is one bar, played through bars 3, 6 and 10-11, and 11 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14
1...........2...........3...........4...........
RD |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------------x-----------------------x-----------|
BD |x--------x--------------x--------x--------------|9 fills to learn, played 13 times: bars 1, 17, 21, 37, 41, 42 and 7 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
76 bars, about 3:18 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 1, 17, 21, 37, 41, 42 and 7 more.