128 bars at 195 BPM -- fast, and 2:38 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-20, snare through bars 21-31, hi-hat through bars 32-56, snare through bars 57-64, hi-hat through bars 65-79 and snare through bars 80-88, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 25-31, 33-39 and 41-54, and 3 more places -- 42.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
34
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-------x-x-----|8 fills to learn, played 9 times: bars 24, 32, 40, 55, 64, 88 and 3 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
128 bars, about 2:38 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 24, 32, 40, 55, 64, 88 and 3 more.