178 bars of 4/4 at a walking 90 BPM, 7:55 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 2-20, silence through bars 21-29 and hi-hat through bars 30-178.
The beat the song is built on is one bar, played through bars 2-20 and 30-59 -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
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1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|5 fills to learn, played 24 times: bars 76, 92, 93, 94, 95, 98 and 18 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
178 bars, about 7:55 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 24 times: bars 76, 92, 93, 94, 95, 98 and 18 more.