69 bars of 4/4 at a walking 100 BPM, 2:44 of playing, on crash, hi-hat, snare, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, toms through bars 6-8, snare through bars 9-13, hi-hat through bars 14-21, kick and crashes through bars 22-24 and hi-hat through bars 25-40, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 14-21 and 45-61 -- 41% of every bar the kit plays. Learn that one and most of the song is already under your hands.
15
1.....2.....3.....4.....
HH |o--o--o--o--o--o--o--o--|
SD |---x-----x-----x-----x--|
BD |x-----x-----x-----x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
69 bars, about 2:44 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.