146 bars of 4/4 at a walking 99 BPM, 5:54 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-8, snare through bars 9-23, silence through bars 24-34, hi-hat through bars 35-78 and snare through bars 79-96, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 38, 40 and 52-54, and 12 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
40
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--x-----x---x-x-|
BD |x-----x---x-----|9 fills to learn, played 24 times: bars 16, 22, 35, 36, 42, 50 and 18 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
99 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
146 bars, about 5:54 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
9 fills to learn, played 24 times: bars 16, 22, 35, 36, 42, 50 and 18 more.