285 bars at 270 BPM -- fast, and 4:24 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
75 out of 100: demanding, mostly on how many notes a second it asks for.
ride through bars 1-4, snare through bars 5-8, hi-hat through bars 9-12, ride through bars 13-69, snare through bars 70-80 and ride through bars 81-88, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 1, 3 and 13-15, and 16 more places -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-|29 fills to learn, played 93 times: bars 2, 4, 5, 16, 20, 21 and 87 more.
It cuts the song into 84 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
270 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
75 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 89 out of 100; the rest of the number is everything around it.
285 bars, about 4:24 at the written tempo. The course breaks it into 84 exercises over 28 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 93 times: bars 2, 4, 5, 16, 20, 21 and 87 more.