104 bars of 4/4 at 137 BPM, about 3:02 of playing, on crash, hi-hat, snare, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-104.
The beat the song is built on is one bar, played through bars 6-8, 10 and 12, and 22 more places -- 34.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |--x---x-x-----x-|4 fills to learn, played 12 times: bars 4, 25, 26, 57, 58, 59 and 6 more.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
104 bars, about 3:02 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 12 times: bars 4, 25, 26, 57, 58, 59 and 6 more.