284 bars at 240 BPM -- fast, and 4:44 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-2, silence through bars 3-6, toms through bars 7-9, hi-hat through bars 10-94, ride through bars 95-102 and hi-hat through bars 103-134, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 185-200, 234-249 and 276-281 -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
185
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|11 fills to learn, played 28 times: bars 7, 8, 9, 17, 18, 19 and 22 more.
It cuts the song into 83 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
284 bars, about 4:44 at the written tempo. The course breaks it into 83 exercises over 23 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 28 times: bars 7, 8, 9, 17, 18, 19 and 22 more.