188 bars of 4/4 at 143 BPM, about 5:16 of playing, on hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time.
silence through bars 1-8, hi-hat through bars 9-56, snare through bars 57-58, hi-hat through bars 59-90, snare through bars 91-92 and hi-hat through bars 93-108, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 4 more places -- 37.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
HH |xxx-xxx-xxx-xxx-|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time. The beat itself is 50 out of 100; the rest of the number is everything around it.
188 bars, about 5:16 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.