88 bars of 4/4 at a walking 92 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-6, hi-hat through bars 7-26, ride through bars 27-30, hi-hat through bars 31-34, silence through bars 35-36 and kick and crashes through bars 37-40, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 7-21, 24 and 49-54, and 5 more places -- 34.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|6 fills to learn, played 13 times: bars 22, 26, 28, 30, 60, 62 and 7 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
88 bars, about 3:49 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 22, 26, 28, 30, 60, 62 and 7 more.