189 bars of 4/4 at 132 BPM, about 5:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, hi-hat through bars 17-47, snare through bars 48-56, kick and crashes through bars 57-58, hi-hat through bars 59-78 and ride through bars 79-80, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 41-43, and 10 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17
1.....2.....3.....4.....
HH |x-----x-----x-----x-----|
SD |------X-----------X-----|
FT |X--------x--X--------x--|
BD |x-----x-----x-----x-----|13 fills to learn, played 27 times: bars 24, 32, 40, 44, 48, 56 and 21 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
189 bars, about 5:44 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 27 times: bars 24, 32, 40, 44, 48, 56 and 21 more.