73 bars of 4/4 at 113 BPM, about 2:35 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-11, snare through bars 12-20, hi-hat through bars 21-28, snare through bars 29-44, hi-hat through bars 45-56 and snare through bars 57-73.
The beat the song is built on is one bar, played through bars 13-19, 29 and 31-37, and 3 more places -- 41.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14
1e+a2e+a3e+a4e+a
CC |x---x---x-g-x-g-|
SD |----x--x-x--x---|
BD |x-------x-x---x-|
HF |--x---x-----x---|6 fills to learn, played 7 times: bars 20, 28, 30, 38, 44, 56 and 1 more.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
73 bars, about 2:35 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 20, 28, 30, 38, 44, 56 and 1 more.