84 bars of 4/4 at a walking 78 BPM, 4:17 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3 and hi-hat through bars 4-84.
The beat the song is built on is one bar, played through bars 4-6, 9-10 and 12-14, and 10 more places -- 35% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |--------x-----x---x-----x-----x-|
BD |x---------------x---x-----------|5 fills to learn, played 7 times: bars 23, 47, 56, 72, 76, 83 and 1 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
84 bars, about 4:17 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 23, 47, 56, 72, 76, 83 and 1 more.