247 bars at 173 BPM -- fast, and 5:34 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-2, silence through bars 3-9, hi-hat through bars 10-24, toms through bars 25-26, kick and crashes through bars 27-28 and hi-hat through bars 29-34, and 27 more changes after that.
The beat the song is built on is one bar, played through bars 82-87, 90-95 and 141-146, and 3 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
82
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |x-----------------------x-----------------------|
BD |x-----x-----x-----x-----x-----x-----x-----x-----|16 fills to learn, played 35 times: bars 9, 13, 17, 21, 25, 26 and 29 more.
It cuts the song into 77 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
173 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
247 bars, about 5:34 at the written tempo. The course breaks it into 77 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 35 times: bars 9, 13, 17, 21, 25, 26 and 29 more.