106 bars at 180 BPM -- fast, and 2:21 of it without a break -- on crash, hi-hat, snare and kick.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-7, hi-hat through bars 8-28, snare through bars 29-33, silence through bars 34-44, snare through bars 45-49 and hi-hat through bars 50-77, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 9-13 and 93-96 -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |x---x-x-x---x---|
BD |x---x---x---x---|6 fills to learn, played 18 times: bars 14, 15, 16, 18, 20, 22 and 12 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
106 bars, about 2:21 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
6 fills to learn, played 18 times: bars 14, 15, 16, 18, 20, 22 and 12 more.