181 bars at 164 BPM -- fast, and 4:25 of it without a break -- on crash, ride, hi-hat, snare and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-32, ride through bars 33-48, hi-hat through bars 49-72, ride through bars 73-108 and hi-hat through bars 109-124, and 1 more change after that.
The beat the song is built on is one bar, played through bars 33-39, 41-46 and 73-79, and 7 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
34
1e+a2e+a3e+a4e+a
CC |x---------x-----|
RD |--x-x-x-x---x-x-|
SD |----x-------x---|
BD |x-x-----x-x-----|5 fills to learn, played 14 times: bars 32, 47, 52, 60, 72, 87 and 8 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
181 bars, about 4:25 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 14 times: bars 32, 47, 52, 60, 72, 87 and 8 more.