79 bars of 4/4 at a walking 84 BPM, 3:46 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 1-12, snare through bars 13-15, toms through bars 16-24, ride through bars 25-28, toms through bars 29-36 and snare through bars 37-39, and 8 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6-7 and 10, and 8 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 3
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |--------------x-|--------------x-|
SD |----x----x--x---|----x---x-------|
T2 |----------------|----------x-----|
FT |x-x-x-x-x-x-x---|x-x-x-x-----x---|
BD |--x--------x--x-|--x-----------x-|5 fills to learn, played 12 times: bars 8, 24, 26, 28, 44, 52 and 6 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
79 bars, about 3:46 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 8, 24, 26, 28, 44, 52 and 6 more.