187 bars at 248 BPM -- fast, and 3:01 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-18, ride through bars 19-34, hi-hat through bars 35-50, ride through bars 51-58, snare through bars 59-62 and ride through bars 63-71, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 19-24, 27-33 and 51-53, and 7 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |----x-------x---|
BD |x---------x-----|8 fills to learn, played 25 times: bars 25, 26, 34, 49, 50, 54 and 19 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
248 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
187 bars, about 3:01 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 25 times: bars 25, 26, 34, 49, 50, 54 and 19 more.