219 bars of 4/4 at 144 BPM, about 6:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-9, hi-hat through bars 10-18, ride through bars 19-26, kick and crashes through bars 27-28 and silence through bars 29-42, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 11-16, 34 and 187-188, and 6 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12
1e+a2e+a3e+a4e+a
HH |x-x-o---x-x-o---|
HF |x-------x-------|24 fills to learn, played 61 times: bars 18, 25, 26, 42, 45, 46 and 55 more.
It cuts the song into 84 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
219 bars, about 6:07 at the written tempo. The course breaks it into 84 exercises over 28 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 61 times: bars 18, 25, 26, 42, 45, 46 and 55 more.