224 bars at 176 BPM -- fast, and 4:38 of it without a break -- on crash, ride, hi-hat, snare and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-32, hi-hat through bars 33-76, snare through bars 77-80, ride through bars 81-96, hi-hat through bars 97-124 and snare through bars 125-128, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 37-40, 45-48 and 77-79, and 6 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
185
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |--------x-------|
BD |x-x---x-x---x---|4 fills to learn, played 5 times: bars 80, 128, 144, 184 and 216.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
176 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
224 bars, about 4:38 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 5 times: bars 80, 128, 144, 184 and 216.