104 bars of 4/4 at a walking 84 BPM, 4:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-6, snare through bars 7-18, hi-hat through bars 19-22, ride through bars 23-24, hi-hat through bars 25-27 and ride through bars 28-30, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 7-8, 11-12 and 15-16, and 11 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x---------|7 fills to learn, played 10 times: bars 5, 6, 10, 14, 18, 46 and 4 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
104 bars, about 4:57 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 5, 6, 10, 14, 18, 46 and 4 more.