124 bars of 4/4 at 120 BPM, about 4:08 of playing, on crash, hi-hat, snare and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, snare through bars 18-70, silence through bars 71-95, snare through bars 96-104, silence through bars 105-108 and snare through bars 109-115, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 19 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
22
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x---x---x-|5 fills to learn, played 11 times: bars 18, 19, 20, 21, 27, 31 and 5 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
124 bars, about 4:08 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 11 times: bars 18, 19, 20, 21, 27, 31 and 5 more.