201 bars at 190 BPM -- fast, and 4:14 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, snare through bars 6-25, silence through bars 26-29, snare through bars 30-33, silence through bars 34-37 and snare through bars 38-39, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 6-25, 71-90 and 200-201 -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6
1e+a2e+a3e+a4e+a
SD |--------x---x-g-|
BD |x---x---x---x---|12 fills to learn, played 34 times: bars 40, 42, 43, 50, 51, 53 and 28 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
201 bars, about 4:14 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 40, 42, 43, 50, 51, 53 and 28 more.