176 bars at 240 BPM -- fast, and 2:54 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on how many notes a second it asks for.
kick and crashes through bars 1-4, hi-hat through bars 5-28, snare through bars 29-36, hi-hat through bars 37-44, snare through bars 45-52 and hi-hat through bars 53-69, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 5-10, 14 and 18, and 10 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |x-x-x-x-x-x-x-x-|
BD |x-x-x-x-x-x-x-x-|19 fills to learn, played 28 times: bars 12, 16, 20, 30, 36, 52 and 22 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 49 out of 100; the rest of the number is everything around it.
176 bars, about 2:54 at the written tempo. The course breaks it into 64 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 28 times: bars 12, 16, 20, 30, 36, 52 and 22 more.