177 bars at 215 BPM -- fast, and 3:19 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-18, hi-hat through bars 19-32, snare through bars 33-52, hi-hat through bars 53-101, toms through bars 102-128 and hi-hat through bars 129-161, and 1 more change after that.
The beat the song is built on is one bar, played through bars 55, 57-59 and 87-93, and 4 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
55
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|13 fills to learn, played 17 times: bars 12, 32, 40, 94, 102, 110 and 11 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
215 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
177 bars, about 3:19 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 17 times: bars 12, 32, 40, 94, 102, 110 and 11 more.