218 bars at 200 BPM -- fast, and 4:20 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-9, silence through bars 10-13, ride through bars 14-25, hi-hat through bars 26-44, kick and crashes through bars 45-48 and hi-hat through bars 49-64, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 34-40, 186-188 and 190-192, and 4 more places -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o-o-o-o-o-o-|
SD |x---x---x---x---|
BD |--xx--xx--xx--xx|28 fills to learn, played 67 times: bars 4, 8, 13, 24, 25, 27 and 61 more.
It cuts the song into 82 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
218 bars, about 4:20 at the written tempo. The course breaks it into 82 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 67 times: bars 4, 8, 13, 24, 25, 27 and 61 more.