111 bars of 4/4 at 144 BPM, about 3:04 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, kick and crashes through bars 18-27, hi-hat through bars 28-54, ride through bars 55-59, toms through bars 60-61 and hi-hat through bars 62-63, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 28-30, 32-34 and 36-38, and 14 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
29
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-----x-|
BD |x---x-----------|8 fills to learn, played 17 times: bars 26, 27, 35, 51, 59, 60 and 11 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
111 bars, about 3:04 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 26, 27, 35, 51, 59, 60 and 11 more.