124 bars, 6:48, at 73 BPM: slow enough that every note is exposed. Hi-hat, snare, kick and hi-hat foot and nothing else.
66 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-4, hi-hat through bars 5-44, silence through bars 45-76 and hi-hat through bars 77-124.
The beat the song is built on is one bar, played through bars 5-44, 81-100 and 105-124 -- 90.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
81
1.......2.......3.......4.......
HH |x-x-x-x-x-x-x-x-x-x-x-x---x-x-xx|
SD |--------x---------------x-------|
BD |x-------------------x-----x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
73 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 55 out of 100; the rest of the number is everything around it.
124 bars, about 6:48 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 22 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.