254 bars of 6/4 -- not four -- at 160 BPM, 7:43 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-12, hi-hat through bars 13-24, ride through bars 25-37, hi-hat through bars 38-49, ride through bars 50-69 and hi-hat through bars 70-80, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 3 more places -- 5.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2
1e+a2e+a3e+a4e+a5e+a6e+a
RD |x---x---x---x---x---x---|
SD |----x-------x-------x---|
BD |x-x---x-----------------|15 fills to learn, played 63 times: bars 18, 20, 21, 24, 29, 49 and 57 more.
It cuts the song into 90 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
254 bars, about 7:43 at the written tempo. The course breaks it into 90 exercises over 26 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 63 times: bars 18, 20, 21, 24, 29, 49 and 57 more.