447 bars of 4/4 at 150 BPM, about 11:53 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, kick and crashes through bars 5-6, hi-hat through bars 7-16, silence through bars 17-18, hi-hat through bars 19-129 and toms through bars 130-134, and 25 more changes after that.
The beat the song is built on is one bar, played through bars 33-38, 45-47 and 49-62, and 36 more places -- 44% of every bar the kit plays. Learn that one and most of the song is already under your hands.
34
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-------x-------|23 fills to learn, played 49 times: bars 12, 31, 63, 64, 71, 72 and 43 more.
It cuts the song into 98 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
447 bars, about 11:53 at the written tempo. The course breaks it into 98 exercises over 26 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 49 times: bars 12, 31, 63, 64, 71, 72 and 43 more.