129 bars at 158 BPM -- fast, and 3:16 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-4, snare through bars 5-24, hi-hat through bars 25-48, snare through bars 49-63, kick and crashes through bars 64-68 and hi-hat through bars 69-80, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 9 more places -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26
1.......2.......3.......4.......
HH |o-------o-------o-------o-------|
SD |----------------x-------x---x---|
BD |----x---x-----------x-x---------|12 fills to learn, played 23 times: bars 1, 2, 3, 4, 12, 16 and 17 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
158 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
129 bars, about 3:16 at the written tempo. The course breaks it into 58 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 1, 2, 3, 4, 12, 16 and 17 more.