107 bars of 4/4 at a walking 89 BPM, 4:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in how often it moves around the kit.
hi-hat through bars 1-17, ride through bars 18-25, hi-hat through bars 26-31, snare through bars 32-35, ride through bars 36-51 and silence through bars 52-61, and 6 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 18-24, 36-42 and 44-46, and 4 more places -- 33.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18 19
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|--------------x-|
RD |--x-x-x-x-x-x-x-|x-x-x-x-x-x-x---|
SD |----x-------x---|----x-------x---|
BD |x-------x-x---x-|--x---x---x---x-|
HF |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|4 fills to learn, played 12 times: bars 43, 47, 70, 71, 72, 73 and 6 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
89 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 28 out of 100; the rest of the number is everything around it.
107 bars, about 4:47 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 43, 47, 70, 71, 72, 73 and 6 more.