229 bars of 4/4 at 125 BPM, about 7:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-13, toms through bars 14-20, ride through bars 21-45, toms through bars 46-53 and silence through bars 54-60, and 47 more changes after that.
The beat the song is built on is one bar, played through bars 61-63, 69-71 and 77-78, and 19 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
62
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |xx--xx--xx--xx--|16 fills to learn, played 64 times: bars 13, 14, 16, 17, 18, 19 and 58 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
229 bars, about 7:20 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 64 times: bars 13, 14, 16, 17, 18, 19 and 58 more.