226 bars of 4/4 at 141 BPM, about 6:21 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-13, toms through bars 14-27, hi-hat through bars 28-29, kick and crashes through bars 30-37, hi-hat through bars 38-159 and snare through bars 160-163, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 38, 40 and 42, and 31 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
47
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-------|6 fills to learn, played 14 times: bars 49, 56, 57, 89, 100, 101 and 8 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
226 bars, about 6:21 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 49, 56, 57, 89, 100, 101 and 8 more.