154 bars of 4/4 at 145 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bar 1, ride through bars 2-24, hi-hat through bars 25-31, toms through bars 32-50, silence through bars 51-57 and hi-hat through bars 58-59, and 9 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 10-16 and 18-24, and 4 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 3
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
RD |----x---x---x---|x---x---x---x---|
SD |--------x-------|--x-----x-----xx|
BD |x-----x-------x-|----------------|10 fills to learn, played 23 times: bars 9, 17, 25, 31, 41, 47 and 17 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
154 bars, about 4:14 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 9, 17, 25, 31, 41, 47 and 17 more.