192 bars of 4/4 at 140 BPM, about 5:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the speed of the hand keeping time.
silence through bars 1-8 and hi-hat through bars 9-192.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 9 more places -- 31.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14
1e+a2e+a3e+a4e+a
HH |oxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x---------------|5 fills to learn, played 12 times: bars 12, 36, 38, 46, 78, 80 and 6 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the speed of the hand keeping time. The beat itself is 54 out of 100; the rest of the number is everything around it.
192 bars, about 5:29 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 12, 36, 38, 46, 78, 80 and 6 more.