166 bars at 170 BPM -- fast, and 3:54 of it without a break -- on crash, hi-hat, snare and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-8, hi-hat through bars 9-16, snare through bars 17-20, hi-hat through bars 21-60, kick and crashes through bars 61-64 and hi-hat through bars 65-119, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 13-15 and 29-31, and 9 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |--------x-------|x-----------x---|
BD |x-----xx------xx|--x---x---x-----|6 fills to learn, played 20 times: bars 12, 16, 32, 36, 40, 41 and 14 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
166 bars, about 3:54 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
6 fills to learn, played 20 times: bars 12, 16, 32, 36, 40, 41 and 14 more.