122 bars of 4/4 at 120 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
ride through bars 3-8, hi-hat through bars 9-24, ride through bars 25-28, hi-hat through bars 29-40, ride through bars 41-46 and hi-hat through bars 47-48, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-23 and 29-39, and 4 more places -- 39.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1.....2.....3.....4.....
HH |o--o-----o--o--o-----o--|
SD |------x-----------x-----|
BD |x--x-----x--x--x-----x--|
HF |------x-----------x-----|9 fills to learn, played 14 times: bars 2, 24, 40, 52, 56, 58 and 8 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 26 out of 100; the rest of the number is everything around it.
122 bars, about 4:04 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 2, 24, 40, 52, 56, 58 and 8 more.