133 bars of 4/4 at 112 BPM, about 4:45 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on how much of it falls off the beat.
toms through bars 1-2, snare through bars 3-11, hi-hat through bars 12-27, snare through bars 28-29, hi-hat through bars 30-93 and snare through bars 94-101, and 1 more change after that.
The beat the song is built on is one bar, played through bars 12-27, 30-45 and 54-61, and 3 more places -- 61.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
12
1e+a2e+a3e+a4e+a
CC |----------x-----|
HH |xxxxxxxxxxoxxxxx|
SD |----x-------x---|
BD |x-------x-x--x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 69 out of 100; the rest of the number is everything around it.
133 bars, about 4:45 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.