106 bars of 4/4 at a walking 90 BPM, 4:38 of playing, on crash, hi-hat, snare, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-5, silence through bars 6-8, hi-hat through bars 9-12, snare through bars 13-14, hi-hat through bars 15-42 and snare through bars 43-46, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 15-23, 25-31 and 35-42, and 5 more places -- 54.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---x---x---x---|7 fills to learn, played 16 times: bars 3, 4, 9, 10, 11, 12 and 10 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
106 bars, about 4:38 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
7 fills to learn, played 16 times: bars 3, 4, 9, 10, 11, 12 and 10 more.