82 bars at 174 BPM -- fast, and 1:52 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-23, hi-hat through bars 24-48, snare through bars 49-56, silence through bars 57-58 and snare through bars 59-82.
The beat the song is built on is a 2-bar phrase, played through bars 50-55, 59-65 and 67-73, and 1 more place -- 34.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
59 60
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |----x--x----x---|----x-------x---|
BD |x-------x-x-----|x-----x-x-----x-|5 fills to learn, played 5 times: bars 18, 31, 49, 66 and 74.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
82 bars, about 1:52 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 18, 31, 49, 66 and 74.