189 bars of 4/4 at 134 BPM, about 5:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-10, ride through bars 11-12, hi-hat through bars 13-78, toms through bars 79-80, hi-hat through bars 81-129 and ride through bars 130-144, and 1 more change after that.
The beat the song is built on is one bar, played through bars 47-52, 72-74 and 76-77, and 8 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
48
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x---x---x---x---|12 fills to learn, played 25 times: bars 20, 46, 55, 71, 78, 79 and 19 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
189 bars, about 5:37 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 20, 46, 55, 71, 78, 79 and 19 more.