94 bars of 4/4 at a walking 95 BPM, 3:57 of playing, on hi-hat, snare and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-32, silence through bars 33-40, hi-hat through bars 41-48, silence through bars 49-52 and hi-hat through bars 53-68, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 9-32, 41-48 and 53-67, and 1 more place -- 95.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
10
1e+a2e+a3e+a4e+a
HH |gggggggggggggggg|
SD |----x-------x---|
BD |x--x----x-x--x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
94 bars, about 3:57 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 26 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.