251 bars at 164 BPM -- fast, and 6:08 of it without a break -- on ride, hi-hat, snare, high tom, mid tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-65, snare through bars 66-67, hi-hat through bars 68-81, snare through bars 82-84, hi-hat through bars 85-121 and snare through bars 122-123, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 22-28, 78-81 and 126-197 -- 33.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
22 23
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x---x---x---x---|x---x---x-o-----|
T1 |x-x-x---x-----x-|--x-x-x---x-x-x-|
T2 |----------x-x---|----------------|
BD |x-------x-------|x-------x-------|1 fill to learn, played 3 times: bars 249, 250 and 251.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
251 bars, about 6:08 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 3 times: bars 249, 250 and 251.