111 bars of 6/4 -- not four -- at 128 BPM, 5:12 of playing on crash, ride, hi-hat, snare, mid tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-11, hi-hat through bars 12-27, ride through bars 28-35, hi-hat through bars 36-39, ride through bars 40-48 and hi-hat through bars 49-52, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 12-13, 16 and 19-27, and 9 more places -- 41.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
12
1e+a2e+a3e+a4e+a5e+a6e+a
HH |x-x-x-x-x-x-x-x-x-x-x-x-|
SD |------x-----------x-----|
BD |x---x-----x-x---x-----x-|5 fills to learn, played 6 times: bars 10, 34, 39, 40, 51 and 53.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 46 out of 100; the rest of the number is everything around it.
111 bars, about 5:12 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 10, 34, 39, 40, 51 and 53.