84 bars of 4/4 at a walking 100 BPM, 3:22 of playing, on crash, hi-hat, snare, high tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3, hi-hat through bars 4-71, kick and crashes through bars 72-74 and hi-hat through bars 75-84.
The beat the song is built on is one bar, played through bars 12-18, 32-38 and 52-59, and 2 more places -- 39% of every bar the kit plays. Learn that one and most of the song is already under your hands.
12
1e+a2e+a3e+a4e+a
CC |X-----X---------|
HH |--o-o---o-o-o-o-|
SD |----X----x--X---|
BD |x--x--x---x--x-x|1 fill to learn, played 5 times: bars 11, 31, 51, 67 and 75.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
84 bars, about 3:22 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 5 times: bars 11, 31, 51, 67 and 75.