217 bars at 159 BPM -- fast, and 5:28 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-14, silence through bars 15-17, hi-hat through bars 18-45, snare through bars 46-49, hi-hat through bars 50-53 and snare through bars 54-55, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 18-20, 22-23 and 26, and 25 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30
1e+a2e+a3e+a4e+a
CC |X---------------|
HH |--x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x----x--x---xx--|12 fills to learn, played 24 times: bars 59, 66, 69, 74, 98, 100 and 18 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
159 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
217 bars, about 5:28 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 59, 66, 69, 74, 98, 100 and 18 more.